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  • 1.

    False Prophecy

    - 2 versions

    Shaun Hastings

    02:19

    Jagged guitar riffs, pulsing bass and bright electronic tones weave through crisp percussion, creating a playful, otherworldly sound with a welcoming glow and a sense of restless discovery.

    1-1.

    False Prophecy

     - 30sec

    02:19

    Jagged guitar riffs, pulsing bass and bright electronic tones weave through crisp percussion, creating a playful, otherworldly sound with a welcoming glow and a sense of restless discovery.

    1-2.

    False Prophecy

     - Sting

    02:19

    Jagged guitar riffs, pulsing bass and bright electronic tones weave through crisp percussion, creating a playful, otherworldly sound with a welcoming glow and a sense of restless discovery.

  • 2.

    Underwater Overwater

    - 2 versions

    Shaun Hastings

    01:58

    Soft electric piano and graceful strings drift above rounded bass and hazy synth layers, evoking faded memories and submerged beauty through delicate harmonies and a tender, film-like glow.

    2-1.

    Underwater Overwater

     - 30sec

    01:58

    Soft electric piano and graceful strings drift above rounded bass and hazy synth layers, evoking faded memories and submerged beauty through delicate harmonies and a tender, film-like glow.

    2-2.

    Underwater Overwater

     - Sting

    01:58

    Soft electric piano and graceful strings drift above rounded bass and hazy synth layers, evoking faded memories and submerged beauty through delicate harmonies and a tender, film-like glow.

  • 3.

    KAG

    - 2 versions

    Shaun Hastings

    02:11

    Glistening synth sequences cycle against precise, machine-like percussion forming a tightly wound soundscape where tiny rhythmic shifts and sparkling tones build suspense and suggest impending change.

    3-1.

    KAG

     - 30sec

    02:11

    Glistening synth sequences cycle against precise, machine-like percussion forming a tightly wound soundscape where tiny rhythmic shifts and sparkling tones build suspense and suggest impending change.

    3-2.

    KAG

     - Sting

    02:11

    Glistening synth sequences cycle against precise, machine-like percussion forming a tightly wound soundscape where tiny rhythmic shifts and sparkling tones build suspense and suggest impending change.

  • 4.

    In Orbem

    - 2 versions

    Shaun Hastings

    02:29

    A steady bass pulse and tightly controlled percussion anchor cool synthetic layers, shaping a sleek, technological landscape that feels inward-looking, unhurried and quietly unsettled.

    4-1.

    In Orbem

     - 30sec

    02:29

    A steady bass pulse and tightly controlled percussion anchor cool synthetic layers, shaping a sleek, technological landscape that feels inward-looking, unhurried and quietly unsettled.

    4-2.

    In Orbem

     - Sting

    02:29

    A steady bass pulse and tightly controlled percussion anchor cool synthetic layers, shaping a sleek, technological landscape that feels inward-looking, unhurried and quietly unsettled.

  • 5.

    Nexus

    - 2 versions

    Shaun Hastings

    01:57

    Rounded bass, mellow electric piano and glowing synth layers merge into a wistful soundscape, pairing sleek digital textures with tender harmonies and the lingering ache of distant memories.

    5-1.

    Nexus

     - 30sec

    01:57

    Rounded bass, mellow electric piano and glowing synth layers merge into a wistful soundscape, pairing sleek digital textures with tender harmonies and the lingering ache of distant memories.

    5-2.

    Nexus

     - Sting

    01:57

    Rounded bass, mellow electric piano and glowing synth layers merge into a wistful soundscape, pairing sleek digital textures with tender harmonies and the lingering ache of distant memories.

  • 6.

    Silver Fruit

    - 2 versions

    Shaun Hastings

    03:25

    Insistent drum patterns and cycling electronic phrases gather momentum beneath shifting tones, blending a factory-like pulse with faded recollections and an irresistible sense of forward motion.

    6-1.

    Silver Fruit

     - 30sec

    03:25

    Insistent drum patterns and cycling electronic phrases gather momentum beneath shifting tones, blending a factory-like pulse with faded recollections and an irresistible sense of forward motion.

    6-2.

    Silver Fruit

     - Sting

    03:25

    Insistent drum patterns and cycling electronic phrases gather momentum beneath shifting tones, blending a factory-like pulse with faded recollections and an irresistible sense of forward motion.

  • 7.

    Aqua Reflection

    - 2 versions

    Shaun Hastings

    03:03

    Liquid synth ripples and fragmented keyboard phrases scatter across a firm rhythmic pulse, creating an abstract sound world where sharp turns and shifting layers resemble light moving through water.

    7-1.

    Aqua Reflection

     - 30sec

    03:03

    Liquid synth ripples and fragmented keyboard phrases scatter across a firm rhythmic pulse, creating an abstract sound world where sharp turns and shifting layers resemble light moving through water.

    7-2.

    Aqua Reflection

     - Sting

    03:03

    Liquid synth ripples and fragmented keyboard phrases scatter across a firm rhythmic pulse, creating an abstract sound world where sharp turns and shifting layers resemble light moving through water.

  • 8.

    Clean Slate 2003

    - 2 versions

    Shaun Hastings

    01:24

    Nostalgic synth tones and rounded bass move beneath sweeping strings, mixing cheeky electronic flourishes with an open, forward-looking feel that comes across as fresh, buoyant and cinematic.

    8-1.

    Clean Slate 2003

     - 30sec

    01:24

    Nostalgic synth tones and rounded bass move beneath sweeping strings, mixing cheeky electronic flourishes with an open, forward-looking feel that comes across as fresh, buoyant and cinematic.

    8-2.

    Clean Slate 2003

     - Sting

    01:24

    Nostalgic synth tones and rounded bass move beneath sweeping strings, mixing cheeky electronic flourishes with an open, forward-looking feel that comes across as fresh, buoyant and cinematic.

  • 9.

    Melted Morning

    - 2 versions

    Shaun Hastings

    02:44

    Glassy synth layers hover above restrained percussion, revealing a hazy soundscape with rounded warmth, thoughtful undertones and the lingering stillness of pale morning light filtering through mist.

    9-1.

    Melted Morning

     - 30sec

    02:44

    Glassy synth layers hover above restrained percussion, revealing a hazy soundscape with rounded warmth, thoughtful undertones and the lingering stillness of pale morning light filtering through mist.

    9-2.

    Melted Morning

     - Sting

    02:44

    Glassy synth layers hover above restrained percussion, revealing a hazy soundscape with rounded warmth, thoughtful undertones and the lingering stillness of pale morning light filtering through mist.

  • 10.

    Deep Blue Gaze

    - 2 versions

    Shaun Hastings

    01:56

    Warm bass and gentle electric piano flow through broad, slowly shifting synth layers, opening onto a vast sonic panorama that feels sunlit and reassuring, like drifting across endless blue water.

    10-1.

    Deep Blue Gaze

     - 30sec

    01:56

    Warm bass and gentle electric piano flow through broad, slowly shifting synth layers, opening onto a vast sonic panorama that feels sunlit and reassuring, like drifting across endless blue water.

    10-2.

    Deep Blue Gaze

     - Sting

    01:56

    Warm bass and gentle electric piano flow through broad, slowly shifting synth layers, opening onto a vast sonic panorama that feels sunlit and reassuring, like drifting across endless blue water.

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