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Frozen Memories4 Versions Land Of Leaves Tense Cello Drones |
Beautiful and sad in equal measures, a sparse cello melody laments over an atmospheric drone in a piece that contains spacious emotional depth. | 2.19 |
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Last To Know6 Versions Clerkenwell Sound Collective Emotronica |
A male vocal performs sad melodies with sentimental lyrics against a backdrop of moody synths and string sounds. The piece becomes more confident before dropping into a heavy beat. | 03:44 |
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The Truth We Seek4 Versions Stefano Ruggeri Chamber Works |
A melancholy piano broods from the beginning, contrasted by the introduction of frantic strings and driving percussive elements to create a duel against time. | 02:06 |
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Weary Eyes5 Versions Thomas Bellingham Emotional Transitions |
A poignantly uplifting track, that uses sad opening guitar chords to set the scene, before hope creeps in with urgent strings and atmospheric layers. | 02:21 |
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Stay Indoors7 Versions Andrew Potterton Dark Pop |
Atmospheric beats and bass mix with female vocals about the dark side of life. Synth melodies add to the melancholy mood. | 02:35 |
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Sacred Skies8 Versions Andrew Potterton Dark Pop |
Acoustic guitars, synths and flute melodies blend with hip hop beats and female vocals in a lamenting love song with a dark energy. | 02:36 |
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Hold On7 Versions Alyx Neve Anthemic Indie |
Emotionally charged and poignant pop, infused with acoustic instrumentation and centred around an uplifting chorus. | 02:02 |
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Come To A Head5 Versions Guillaume Jambel & Mike Lesirge Positive To Negative |
An upbeat and playful piece that is centered around increasingly urgent strings and keeps the listener guessing before ending on a poignant outro. | 02:39 |
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Time Will Tell5 Versions Guillaume Jambel & Mike Lesirge Positive To Negative |
Reflective but hopeful from the start, Time Will Tell takes the listener on a piano and string led journey that ultimately leaves questions unanswered. | 02:51 |
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Dawn to Dusk4 Versions Guillaume Jambel & Mike Lesirge Positive To Negative |
Light and melodic piano parts are obliterated by a sinister second half, led by ominous strings and a thumping rhythm section. | 03:36 |
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