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  • 1.

    Jerusalem

    - 3 versions

    Louise Spencer

    2:36

    A jubilant harp rendition of this rich melody generally considered to be the second British national anthem, well-known from worldwide sporting events.

    1-1.

    Jerusalem

     - 30sec

    00:30

    A jubilant harp rendition of this rich melody generally considered to be the second British national anthem, well-known from worldwide sporting events.

    1-2.

    Jerusalem

     - 60sec

    01:00

    A jubilant harp rendition of this rich melody generally considered to be the second British national anthem, well-known from worldwide sporting events.

    1-3.

    Jerusalem

     - Sting

    2:36

    A jubilant harp rendition of this rich melody generally considered to be the second British national anthem, well-known from worldwide sporting events.

  • 2.

    Flower Duet

    - 3 versions

    Louise Spencer

    1:38

    An uplifting harp cover of a familiar opera song. The light melody plays at a relaxed tempo throughout, across a gentle lower accompaniment. Beautiful and elegant.

    2-1.

    Flower Duet

     - 30sec

    00:30

    An uplifting harp cover of a familiar opera song. The light melody plays at a relaxed tempo throughout, across a gentle lower accompaniment. Beautiful and elegant.

    2-2.

    Flower Duet

     - 60sec

    01:00

    An uplifting harp cover of a familiar opera song. The light melody plays at a relaxed tempo throughout, across a gentle lower accompaniment. Beautiful and elegant.

    2-3.

    Flower Duet

     - Sting

    1:38

    An uplifting harp cover of a familiar opera song. The light melody plays at a relaxed tempo throughout, across a gentle lower accompaniment. Beautiful and elegant.

  • 3.

    Zadok The Priest

    - 3 versions

    Louise Spencer

    2:09

    A modest arrangement of the majestic Coronation anthem by Baroque composer Handel. This more reserved recording grows with ascending arpeggios, building with uplifting anticipation to the main theme.

    3-1.

    Zadok The Priest

     - 30sec

    00:30

    A modest arrangement of the majestic Coronation anthem by Baroque composer Handel. This more reserved recording grows with ascending arpeggios, building with uplifting anticipation to the main theme.

    3-2.

    Zadok The Priest

     - 60sec

    01:00

    A modest arrangement of the majestic Coronation anthem by Baroque composer Handel. This more reserved recording grows with ascending arpeggios, building with uplifting anticipation to the main theme.

    3-3.

    Zadok The Priest

     - Sting

    2:09

    A modest arrangement of the majestic Coronation anthem by Baroque composer Handel. This more reserved recording grows with ascending arpeggios, building with uplifting anticipation to the main theme.

  • 4.

    Gymnopédie No.1

    - 3 versions

    Louise Spencer

    3:11

    A relaxing arrangement of Satie's waltzlike piece. It features gently flourishing chords on solo harp and a pensive, melancholic melody.

    4-1.

    Gymnopédie No.1

     - 30sec

    00:30

    A relaxing arrangement of Satie's waltzlike piece. It features gently flourishing chords on solo harp and a pensive, melancholic melody.

    4-2.

    Gymnopédie No.1

     - 60sec

    01:00

    A relaxing arrangement of Satie's waltzlike piece. It features gently flourishing chords on solo harp and a pensive, melancholic melody.

    4-3.

    Gymnopédie No.1

     - Sting

    3:11

    A relaxing arrangement of Satie's waltzlike piece. It features gently flourishing chords on solo harp and a pensive, melancholic melody.

  • 5.

    Theme From Jupiter (I Vow To Thee, My Country)

    - 3 versions

    Louise Spencer

    2:09

    From Holst's colossal Planets suite emerges this gentle tune. Beginning with stately bass tones journeying through rich colours towards a triumphant bright conclusion.

    5-1.

    Theme From Jupiter (I Vow To Thee, My Country)

     - 30sec

    00:30

    From Holst's colossal Planets suite emerges this gentle tune. Beginning with stately bass tones journeying through rich colours towards a triumphant bright conclusion.

    5-2.

    Theme From Jupiter (I Vow To Thee, My Country)

     - 60sec

    01:00

    From Holst's colossal Planets suite emerges this gentle tune. Beginning with stately bass tones journeying through rich colours towards a triumphant bright conclusion.

    5-3.

    Theme From Jupiter (I Vow To Thee, My Country)

     - Sting

    2:09

    From Holst's colossal Planets suite emerges this gentle tune. Beginning with stately bass tones journeying through rich colours towards a triumphant bright conclusion.

  • 6.

    Jesu, Joy Of Man's Desiring

    - 3 versions

    Louise Spencer

    2:56

    This gentle lilting Baroque melody evokes the essence of a pastoral afternoon, basking in the summer sun. Immensely popular at weddings and a sophisticated underscore perfect for uplifting visuals.

    6-1.

    Jesu, Joy Of Man's Desiring

     - 30sec

    00:30

    This gentle lilting Baroque melody evokes the essence of a pastoral afternoon, basking in the summer sun. Immensely popular at weddings and a sophisticated underscore perfect for uplifting visuals.

    6-2.

    Jesu, Joy Of Man's Desiring

     - 60sec

    01:00

    This gentle lilting Baroque melody evokes the essence of a pastoral afternoon, basking in the summer sun. Immensely popular at weddings and a sophisticated underscore perfect for uplifting visuals.

    6-3.

    Jesu, Joy Of Man's Desiring

     - Sting

    2:56

    This gentle lilting Baroque melody evokes the essence of a pastoral afternoon, basking in the summer sun. Immensely popular at weddings and a sophisticated underscore perfect for uplifting visuals.

  • 7.

    Ave Maria (Played On Harp)

    - 3 versions

    Louise Spencer

    2:41

    Schubert's revered hymn is loved for its graceful soprano melody which soars above gentle arpeggios, performed here on solo harp. Well suited to sacred and spiritual visuals.

    7-1.

    Ave Maria (Played On Harp)

     - 30sec

    00:30

    Schubert's revered hymn is loved for its graceful soprano melody which soars above gentle arpeggios, performed here on solo harp. Well suited to sacred and spiritual visuals.

    7-2.

    Ave Maria (Played On Harp)

     - 60sec

    01:00

    Schubert's revered hymn is loved for its graceful soprano melody which soars above gentle arpeggios, performed here on solo harp. Well suited to sacred and spiritual visuals.

    7-3.

    Ave Maria (Played On Harp)

     - Sting

    2:41

    Schubert's revered hymn is loved for its graceful soprano melody which soars above gentle arpeggios, performed here on solo harp. Well suited to sacred and spiritual visuals.

  • 8.

    Andante From Sonata No.11

    - 3 versions

    Louise Spencer

    1:36

    This is a beautiful harp cover of Mozart's nostalgic Andante, offering a lulling duet with the warm glow of childhood innocence. Dreamy and hopeful, ideal for positive visuals.

    8-1.

    Andante From Sonata No.11

     - 30sec

    00:30

    This is a beautiful harp cover of Mozart's nostalgic Andante, offering a lulling duet with the warm glow of childhood innocence. Dreamy and hopeful, ideal for positive visuals.

    8-2.

    Andante From Sonata No.11

     - 60sec

    01:00

    This is a beautiful harp cover of Mozart's nostalgic Andante, offering a lulling duet with the warm glow of childhood innocence. Dreamy and hopeful, ideal for positive visuals.

    8-3.

    Andante From Sonata No.11

     - Sting

    1:36

    This is a beautiful harp cover of Mozart's nostalgic Andante, offering a lulling duet with the warm glow of childhood innocence. Dreamy and hopeful, ideal for positive visuals.

  • 9.

    Morning Mood (Played On Harp)

    - 3 versions

    Louise Spencer

    2:16

    A classical favourite by Norwegian composer Grieg, arranged for solo harp. From its radiant opening emerges colourful hues, rising with bright, awakening melodies.

    9-1.

    Morning Mood (Played On Harp)

     - 30sec

    00:30

    A classical favourite by Norwegian composer Grieg, arranged for solo harp. From its radiant opening emerges colourful hues, rising with bright, awakening melodies.

    9-2.

    Morning Mood (Played On Harp)

     - 60sec

    01:00

    A classical favourite by Norwegian composer Grieg, arranged for solo harp. From its radiant opening emerges colourful hues, rising with bright, awakening melodies.

    9-3.

    Morning Mood (Played On Harp)

     - Sting

    2:16

    A classical favourite by Norwegian composer Grieg, arranged for solo harp. From its radiant opening emerges colourful hues, rising with bright, awakening melodies.

  • 10.

    Gnossienne No.1

    - 3 versions

    Louise Spencer

    3:37

    Satie's gloomy piano composition is admired for its expressive freedom, captured here in this melancholic recording for solo harp. Driven by its pensive energy, the music evokes a mysterious ambience.

    10-1.

    Gnossienne No.1

     - 30sec

    00:30

    Satie's gloomy piano composition is admired for its expressive freedom, captured here in this melancholic recording for solo harp. Driven by its pensive energy, the music evokes a mysterious ambience.

    10-2.

    Gnossienne No.1

     - 60sec

    01:00

    Satie's gloomy piano composition is admired for its expressive freedom, captured here in this melancholic recording for solo harp. Driven by its pensive energy, the music evokes a mysterious ambience.

    10-3.

    Gnossienne No.1

     - Sting

    3:37

    Satie's gloomy piano composition is admired for its expressive freedom, captured here in this melancholic recording for solo harp. Driven by its pensive energy, the music evokes a mysterious ambience.

  • 11.

    Air On The G String

    - 3 versions

    Louise Spencer

    3:21

    This is a wistful harp rendition of a familiar Baroque melody, mournfully singing atop a reflective accompaniment. Popular at weddings and well-suited as an underscore to sophisticated visuals.

    11-1.

    Air On The G String

     - 30sec

    00:30

    This is a wistful harp rendition of a familiar Baroque melody, mournfully singing atop a reflective accompaniment. Popular at weddings and well-suited as an underscore to sophisticated visuals.

    11-2.

    Air On The G String

     - 60sec

    01:00

    This is a wistful harp rendition of a familiar Baroque melody, mournfully singing atop a reflective accompaniment. Popular at weddings and well-suited as an underscore to sophisticated visuals.

    11-3.

    Air On The G String

     - Sting

    3:21

    This is a wistful harp rendition of a familiar Baroque melody, mournfully singing atop a reflective accompaniment. Popular at weddings and well-suited as an underscore to sophisticated visuals.

  • 12.

    Wiegenlied (Lullaby)

    - 3 versions

    Louise Spencer

    1:40

    The world's most popular lullaby, performed here in this authentic arrangement for solo harp. A soothing, sleepy melody floats along a gentle arpeggio accompaniment, coloured with light flourishes.

    12-1.

    Wiegenlied (Lullaby)

     - 30sec

    00:30

    The world's most popular lullaby, performed here in this authentic arrangement for solo harp. A soothing, sleepy melody floats along a gentle arpeggio accompaniment, coloured with light flourishes.

    12-2.

    Wiegenlied (Lullaby)

     - 60sec

    01:00

    The world's most popular lullaby, performed here in this authentic arrangement for solo harp. A soothing, sleepy melody floats along a gentle arpeggio accompaniment, coloured with light flourishes.

    12-3.

    Wiegenlied (Lullaby)

     - Sting

    1:40

    The world's most popular lullaby, performed here in this authentic arrangement for solo harp. A soothing, sleepy melody floats along a gentle arpeggio accompaniment, coloured with light flourishes.

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