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          Genre 0
      
          Mood 0
      
          Instrument 0
      
          Music For 0
      Country
      - 
    Africa- African
 
- Angola
- Cameroon
- Côte d'Ivoire
- Equatorial Guinea
- Ethiopia
- Ghana
- Guinea
- Kenya
- Madagascar
- Mali
- Morocco
- Nigeria
- Senegal
- South Africa
- Tanzania
- Tunisia
- Uganda
- Western Sahara
- Zaire
Asia
    - Asian
Australasia
    - Australasian
Caribbean
    - Caribbean
Central America
    - Central American
Eastern Europe
    - Armenia
Europe
    - Albania
Middle East
    - Afghanistan
North America
    - Appalachia
South America
    - Argentina
TEMPO/BPM 5
        
      - Very Slow (<80)
- Slow (80 - 100)
- Medium (101 - 120)
- Fast (121 - 140)
- Very Fast (>140)
Albums (2 Results)
Tracks (5 Results)
| Track | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|
|   | Obufumbo Bwa Kati (Today's Marriage) pt.2 | A call and response between lead vocal and a beautiful harmonising group of male singers sits atop a playfully constructed backdrop of East African drumming. | 04:33 |  |  |  |  |  | 
|   | Mutume Nabbi (Prophet Muhamad) | An expressive and soulful performance from a group of Ugandan vocalists with a playfully percussive accompaniment of traditional drums. The lyrics are a celebration of the birth of Muhammad. | 04:59 |  |  |  |  |  | 
|   | Obufumbo Bwa Kati (Today's Marriage) pt.1 | An entrancing vocal performance alongside traditional drumming, gives a joyful insight to Ugandan life. The lyrics are themed around marriage. | 05:16 |  |  |  |  |  | 
|   | Mutume Nabbi (Prophet Muhamad) - K-Lone Remix | Another K-Lone reimagining of a Mubashira Mataali Group track, merging the Ugandan vocals and playful drums, with a four to the floor kick, creating a joyful club edit. | 04:36 |  |  |  |  |  | 
|   | Obufumbo Bwa Kati (Today’s Marriage) pt.2 - K-Lone Remix | UK producer K-Lone compliments Mubashira Mataali Group’s track of East African vocals, in a loungy, smooth atmosphere that flows effortlessly, blending calm arpeggios with playful rhythms. | 05:00 |  |  |  |  |  | 
 
                