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  • 1-1.

    Against The Odds

     - 30 sec

    00:30

    Gentle emotive opening with synths, piano and chanting male vocal building proudly to orchestra conclusion.

    1-2.

    Against The Odds

     - 60 sec

    01:00

    Gentle emotive opening with synths, piano and chanting male vocal building proudly to orchestra conclusion.

    1-3.

    Against The Odds

     - Sting

    00:10

    Gentle emotive opening with synths, piano and chanting male vocal building proudly to orchestra conclusion.

    1-4.

    Against The Odds

     - Underscore

    02:22

    Gentle emotive opening with synths, piano and chanting male vocal building proudly to orchestra conclusion.

  • 2-1.

    Today Is The Day

     - 30 sec

    00:36

    Uplifting and inspirational orchestral backing with female vocal chanting.

    2-2.

    Today Is The Day

     - 60 sec

    01:03

    Uplifting and inspirational orchestral backing with female vocal chanting.

    2-3.

    Today Is The Day

     - Sting

    00:12

    Uplifting and inspirational orchestral backing with female vocal chanting.

  • 3-1.

    Lost Souls

     - 30 sec

    00:34

    Inspirational orchestra build with transition from sombre to hopeful melodic progression.

    3-2.

    Lost Souls

     - 60 sec

    01:04

    Inspirational orchestra build with transition from sombre to hopeful melodic progression.

    3-3.

    Lost Souls

     - Sting

    00:09

    Inspirational orchestra build with transition from sombre to hopeful melodic progression.

  • 4-1.

    Anything Is Possible

     - 30 sec

    00:30

    Heartfelt orchestral melody with distant, distorted guitar.

    4-2.

    Anything Is Possible

     - 60 sec

    01:00

    Heartfelt orchestral melody with distant, distorted guitar.

    4-3.

    Anything Is Possible

     - Sting

    00:09

    Heartfelt orchestral melody with distant, distorted guitar.

    4-4.

    Anything Is Possible

     - Underscore

    03:01

    Heartfelt orchestral melody with distant, distorted guitar.

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